“Piss Christ”, a 1987 photograph by artist Andre Serrano, is,
on the surface, a piece of anti-Christian propaganda composed of a plastic
crucifix submerged in a vile of the artist’s urine. Controversial at best, this
work caused a national uproar when displayed in a private gallery in 1989. Not
only was this photograph open to public exhibition, it was the winner of the
Southeastern Conference of the Contemporary Art’s “Awards for the Visual Arts”
competition, an organization partly sponsored by the National Endowment of the
Arts, a government agency dedicated to the funding of artistic projects. This
essentially means that Andre Serrano’s slap in the face to people of faith
across the nation was subsidized in part by these taxpaying Christ followers themselves;
an issue they proposed was a violation against their rights, claiming it breached
the laws of the separation of Church and State. Serrano himself received death
threats and hate mail, later losing backing by his sponsor’s because of the
work’s religious controversy. However, what we may not be able to see immediately,
through the fog of obscene vulgarity that tends to cloud our vision when gazing
upon this serene image of Christ on the cross, bathed in a golden light of
offense, is that Andres Serrano himself was a devout Catholic. To him, this
symbol of divinity, piety, and dedication to Christ enveloped in his own “piss”
was meant to highlight a truth that we as Christians are not so quick to
recognize. In an interview with The
Guardian, just days after Serrano’s photograph went on display for the second
time at the Edward Tyler Nahem gallery in New York, Serrano himself commented
on his piece. “Piss
Christ is a reflection of my work; not only as an artist, but as a Christian…The
thing about the crucifix itself is that we treat it almost like a fashion
accessory. When you see it, you're not horrified by it at all, but what it
represents is the crucifixion of a man... So if Piss Christ upsets you, maybe
it's a good thing to think about what happened on the cross." Sister
Wendy, a Catholic nun and renowned art critic expounded on the relevance of
Serrano’s message. She stated, “…this is what we are doing to Christ. We are
not treating him with reverence; His great sacrifice is not used, we live very
vulgar lives, we put Christ in a bottle of urine…to call it blasphemous is
really begging to question: it could be, or it could not be. It’s what you make
of it.”
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