“The Young Ladies of Avignon” by Pablo Picasso
Growing up to become one of the most influential artists of
the 20th century, Pablo Picasso was a Spanish artist who contributed
his “technical mastery, visionary creativity and profound empathy [that] distinguish
him as a revolutionary artist.” In his adolescent years, Picasso demonstrated
his talent with the arts at a very young age, and from there he began to
experiment with different styles. One painting that is regarded as the first
Cubist painting, Les Demoiselles d’Avignon,
has been called the single most important painting of the 20th
century.
In the making of this large canvas, Picasso’s early idea
included more than just the naked women; it involved a medical student and a
sailor as well. The sketch, Medical
Student, Sailor, and Five Nudes in a Bordello, presented the sexually, aggressive
women among the docile men. An interpretation from this painting can be rooted
to the threat of venereal disease in the brothels during Picasso’s youth, where
such problems had the possibility of being fatal.
The medical student (who resembled Picasso) symbolized the
artist’s fear of the combination of sex and death, as well as his hatred for
women “as carriers of life-threatening disease”; comparable to the subject of famme
fatale. Comparing the original idea to his final
draft, Picasso replaced the med student for a prostitute, and removed the
sailor altogether, focusing the prostitutes attention toward the viewer.
A big influence that we see that inspired Picasso is the use
of Iberian African tribal mask. Picasso once said that African sculptures were “the
most powerful and the most beautiful of all the products of the human
imagination.” He had already seen such works during studio visits to artist who
were collecting African art, including Matisse, Derain and Vlaminck.
In 1985, Robert colescott recreated the famous painting, Les Demoiselles d' Alabama. The artist is famous for depicting the "ugly ironies of race in America.""My painting makes fun of the culture of tokenism," Mr. Colescott told the New Orleans Times-Picayune.
http://www.biography.com/people/pablo-picasso-9440021?page=4
http://www.washingtonpost.com/wp-dyn/content/article/2009/06/11/AR2009061104002.html
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