Nude Descending a Staircase, No. 2 by Marcel Duchamp
Duchamp’s 1912 work was the most
controversial among the 1,250 paintings, sculptures, and pieces of decorative
art exhibited at the Armory Show of 1912. Conservative viewers were shocked and
outraged by the cubist painting, which one critic described as “an explosion in
a shingle factory.” With its combination of Futurist and Cubist style, Duchamp
wanted to capture the movement of a nude figure using chronophotagraphy, a
photographic style which incorporates several frames of movement and layered to
together to create the effect.
"My aim was a static
representation of movement, a static composition of indications of various
positions taken by a form in movement—with no attempt to give cinema effects
through painting. The reduction of a head in movement to a bare line seemed to
me defensible.”
Originally,
this technique was used for scientific reasons, capturing the movement of
animals and humans, but it made its way within society for aesthetic and
entertainment purposes.. Artists like Duchamp and Giacomo Balla took advantage
of this new technology and adapted it to their work of arts, as well as German
Photographer, Ottomar Anschutz, ,developing a technique to run faster through
projectors, creating films for entertainment purposes.

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