Abstract, it definitely is with great implications of
expressive emotions, but then again, what is it?
Dimensions of gates going inward and outward to create a
perceptual understanding of other visions of understanding is the first thing
that comes to my mind when I see the representation of the painting with its
title.
With extensive research, I have found out a little bit
about how Mr. Hofmann created a lot of his art. Looking at different images it
seems no clearer to say that his art is mastered by the vibes of his
environment.
Cathedral (1959)
There is a scientific approach to be seen through his
art, and it is if the dimension is three dimensional. The big yellow rectangle
over the middle is the flat platform. Right to the left of the yellow square is
a high scent of olive green and grey rectangle that is the dimension going into
the painting and under the red big square is the dimension going out towards
us.
Now I can sit here and use my imagination to interpret
this painting, but I will definitely fall beside the result if any result is to
be found at all. It is sure that this painting is subject less as it is implied
through Hofmann and his students.
As an end result, I found this very creative an
interesting Droste effect, where the effect of image reappears within itself in
a location where an analogous image would be expected to appear. *PLEASE CHECK
SOURCE 4*
Sources:
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